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Thomas Hearne

(1744-1817)

Elegant Figures by the River Wear before Lumley Castle, County Durham

Elegant Figures by the River Wear before Lumley Castle, County Durham
W. Byrne and S.Middiman, The Antiquities of Great Britain, 1779, vol.1, no.X
Pencil and watercolour (in original washline mount inscribed ‘Lumley Castle’)
8 x 10 ½ inches
Acquired by The Morgan Library and Museum, New York

Provenance

Lumley Castle

St. Nicholas, Richmond, Yorkshire

Exhibited

London, Society of Artists,1780, no.111

Literature

David Morris, Thomas Hearne and His Landscape, London, 1989, p.38 

 

Thomas Hearne, along with Paul Sandby, was one of the great topographical artists working in England at the end of the 18th century.  Hearne began his artistic training under the popular engraver William Woolett and after spending several years in the Leeward Islands as Sir Ralph Payne’s (the Governor-General) official artist, Hearne returned to London in 1775.  In England, Hearne’s work was purchased by many discerning collectors. Amongst them was Dr Thomas Monro whose private collection of Hearne’s watercolours was copied by J.M.W. Turner.

 

Hearne’s watercolours satisfied the late eighteenth century demand for estate portraiture and topographical views.  Estate portraits such as this one were specifically made to be widely engraved and sold to an eager general public.  This view of Lumley Castle was engraved in Hearne’s famous publication entitled The Antiquities of Great Britain (1778).  Hearne was a joint instigator in the scheme with William Byrne, the primary engraver of the plates.

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    PAUL SANDBY R.A. Banqueting Hall, Whitehall and Scotland Yard
    Watercolour 15 x 21 inches (38 x 53 cm) Engraved: Edward Rooker for John Boydell, 1777
    Acquired by The Morgan Library & Museum, New York on the Sunny Crawford von Bülow Fund, in honour of Sir Paul Getty.
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    THOMAS GIRTIN Rochester Castle from the River
    Pencil and watercolour on wove paper with original mount 27.2 x 38.7 cm Inscribed: ‘Girtin fecit’ l.l. on the original mount
    Acquired by The Stuart Collection, The Museum of Fine Arts, Houston
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